SCREENPLAY
OVERVIEW ANALYSIS
3 - 4 Pages
$105.00

Overview Analysis offers basic insight about the structure and style of your screenplay. Included in this review is:

• Synopsis - 1/2 - 1 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.

SCREENPLAY
STORY ANALYSIS
5 - 6 Pages
$135.00

Story Analysis offers a deeper insight into the structural and character issues of your screenplay. Included in this review is:

• Synopsis - 1/2 - 1 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Character Analysis - 1/2 - 1 page - Isolates your main characters and looks at their development from start of your story to the finish. Helps you to focus your character's motivations, desires, and obstacles to work in unison with the story you are trying to tell.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.

SCREENPLAY
STUDIO ANALYSIS
8 - 12 Pages
$160.00

Studio Analysis offers the deepest level of analysis into your screenplay. From top to bottom, every issue with your screenplay is isloated and analyzed, with real, easy-to-impliment solutions. Included in this review is:

• Act-By-Act Breakdown - 2 - 4 pages - Takes you through your story from beginning to end, analyzing the structure and development, focusing on the twists that take the story into new directions, that keep the audience surprised and interested, leading up to your climax, which should always have the feeling of being "surprising, yet inevitable."
• Tone/Genre Analysis - 1/2 - 1 page - A look at the genre in which you have chosen to tell your story. Comparisons with other films in the genre to isolate areas of weakness, and to keep the tone consistent throughout your story.
• Commercial Analysis - 1/2 page - Breakdown of the commercial viability of the script, the type of budget your story demands, and real ideas to make your story more attractive to studios looking to keep budgets reasonable. When you submit to the studio, they will do the same analysis. Know and correct the problems before they find them!!!
• Summary - 1/2 - 1 page - Bulletpoint list of the weaknesses in your script and the steps for fixing them.
• Synopsis - 1/2 - 1 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Character Analysis - 1/2 - 1 page - Isolates your main characters and looks at their development from start of your story to the finish. Helps you to focus your character's motivations, desires, and obstacles to work in unison with the story you are trying to tell.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.

SCREENPLAY
WRITER'S ANALYSIS
8 - 12 Page Studio Analysis
+
5 - 6 Page Story Analysis on one rewrite
$300.00

Writing is rewriting, which is why we offer the Writer's Analysis. It offers the opportunity to see how well you've implimented the changes needed to improve your script, and gets your screenplay into "Final Draft" shape to deliver to agents, studios and contests. That final polish can be the difference between rejection and greenlight! Included in the first, Studio Review is:

• Act-By-Act Breakdown - 2 - 4 pages - Takes you through your story from beginning to end, analyzing the structure and development, focusing on the twists that take the story into new directions, that keep the audience surprised and interested, leading up to your climax, which should always have the feeling of being "surprising, yet inevitable."
• Tone/Genre Analysis - 1/2 - 1 page - A look at the genre in which you have chosen to tell your story. Comparisons with other films in the genre to isolate areas of weakness, and to keep the tone consistent throughout your story.
• Commercial Analysis - 1/2 page - Breakdown of the commercial viability of the script, the type of budget your story demands, and real ideas to make your story more attractive to studios looking to keep budgets reasonable. When you submit to the studio, they will do the same analysis. Know and correct the problems before they find them!!!
• Summary - 1/2 - 1 page - Bulletpoint list of the weaknesses in your script and the steps for fixing them.
• Synopsis - 1/2 - 1 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Character Analysis - 1/2 - 1 page - Isolates your main characters and looks at their development from start of your story to the finish. Helps you to focus your character's motivations, desires, and obstacles to work in unison with the story you are trying to tell.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.

Included in the second, Story Analysis is:

• Synopsis - 1/2 - 1 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Character Analysis - 1/2 - 1 page - Isolates your main characters and looks at their development from start of your story to the finish. Helps you to focus your character's motivations, desires, and obstacles to work in unison with the story you are trying to tell.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.

SITCOM
OVERVIEW ANALYSIS
3 - 4 Pages
$85.00

Overview Analysis offers basic insight about the structure and style of your sitcom. Included in this review is:

• Synopsis - 1/2 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Taped Comparison - 1 - 2 pages - How does your sitcom stack up against filmed episodes of that show (or similar shows, if yours is a pilot. Learn how to incorprate conventions used by other shows into your own work to give it a more genuine feel.

SITCOM
STORY ANALYSIS
5 - 6 Pages
$115.00

Story Analysis offers more in-depth insight about the structure and style of your sitcom. It also provides more specific comparisons between your spec and taped episodes of the show (or similar shows, if your script is a pilot). Included in this review is:

• Beat Analysis - 1/2 - 1 page - Are the necessary beats for your sitcom in place, and do they come at the right moment? Are you obeying the rules for your particular sitcom? A beat analysis will help you see where you might be taking leaps that seeim intuitive to you, but won't appear so to a reader.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Synopsis - 1/2 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Taped Comparison - 1 - 2 pages - How does your sitcom stack up against filmed episodes of that show (or similar shows, if yours is a pilot. Learn how to incorprate conventions used by other shows into your own work to give it a more genuine feel.
• Spec Analysis - 1/2 page - There are a great many rules for spec scripts that may not apply to scripts written by staff writers for given shows. Is your idea a "special episode"? Do you introduce a brand new character? Is it a "holiday episode"? These and other no-no's are explored so you are sure to avoid common pitfalls that cause producers to toss scripts before reading beyond page 3!

SITCOM
WRITER'S ANALYSIS
5 - 6 Page Story Analysis
+
5 - 6 Page Story Analysis on one rewrite
$220.00

Writing is rewriting, which is why we offer the Writer's Analysis. It offers the opportunity to see how well you've implimented the changes needed to improve your script, and gets your sitcom script into "Final Draft" shape to deliver to agents, studios and contests. That final polish can be the difference between rejection and a staffing job! Included in each of the two Story Analysis is

• Beat Analysis - 1/2 - 1 page - Are the necessary beats for your sitcom in place, and do they come at the right moment? Are you obeying the rules for your particular sitcom? A beat analysis will help you see where you might be taking leaps that seeim intuitive to you, but won't appear so to a reader.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Synopsis - 1/2 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Taped Comparison - 1 - 2 pages - How does your sitcom stack up against filmed episodes of that show (or similar shows, if yours is a pilot. Learn how to incorprate conventions used by other shows into your own work to give it a more genuine feel.
• Spec Analysis - 1/2 page - There are a great many rules for spec scripts that may not apply to scripts written by staff writers for given shows. Is your idea a "special episode"? Do you introduce a brand new character? Is it a "holiday episode"? These and other no-no's are explored so you are sure to avoid common pitfalls that cause producers to toss scripts before reading beyond page 3!

HOURLONG DRAMA
OVERVIEW ANALYSIS
3 - 4 Pages
$95.00

Overview Analysis offers basic insight about the structure and style of your hourlong. Included in this review is:

• Synopsis - 1/2 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Taped Comparison - 1 - 2 pages - How does your episode stack up against filmed episodes of that show (or similar shows, if yours is a pilot. Learn how to incorprate conventions used by other shows into your own work to give it a more genuine feel.

HOURLONG DRAMA
STORY ANALYSIS
5 - 6 Pages
$125.00

Story Analysis offers more in-depth insight about the structure and style of your hourlong drama. It also provides more specific comparisons between your spec and taped episodes of the show (or similar shows, if your script is a pilot). Included in this review is:

• Beat Analysis - 1/2 - 1 page - Are the necessary beats for your hourlong in place, and do they come at the right moment? Are you obeying the rules for your particular show? A beat analysis will help you see where you might be taking leaps that seeim intuitive to you, but won't appear so to a reader.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Synopsis - 1/2 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Taped Comparison - 1 - 2 pages - How does your sitcom stack up against filmed episodes of that show (or similar shows, if yours is a pilot). Learn how to incorprate conventions used by other shows into your own work to give it a more genuine feel.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.

HOURLONG DRAMA
STUDIO ANALYSIS
8 - 12 Pages
$140.00

Studio Analysis offers the deepest level of analysis into your screenplay. From top to bottom, every issue with your screenplay is isloated and analyzed, with real, easy-to-impliment solutions. Included in this review is:

• Act-By-Act Breakdown - 2 - 4 pages - Takes you through your story from beginning to end, analyzing the structure and development, focusing on the twists that take your script into each commercial break, that keep the audience surprised and interested, leading up to your climax, which should always have the feeling of being "surprising, yet inevitable."
• Tone/Genre Analysis - 1/2 - 1 page - A look at the genre of the show you are writing. Comparisons with other episodes and similar shows to keep the tone consistent throughout your story, and consistant with the style of the show.
• Spec Analysis - 1/2 page - There are a great many rules for spec scripts that may not apply to scripts written by staff writers for given shows. Is your idea a "special episode"? Do you introduce a brand new character? Is it a "holiday episode"? These and other no-no's are explored so you are sure to avoid common pitfalls that cause producers to toss scripts before reading beyond page 3!
• Summary - 1/2 - 1 page - Bulletpoint list of the weaknesses in your script and the steps for fixing them.
• Synopsis - 1/2 - 1 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Character Analysis - 1/2 - 1 page - Isolates your main characters and looks at their development from start of your story to the finish. Helps you to focus your character's motivations, desires, and obstacles to work in unison with the story you are trying to tell.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.

HOURLONG DRAMA
WRITER'S ANALYSIS
8 - 12 Page Studio Analysis
+
5 - 6 Page Story Analysis on one rewrite
$270.00

Writing is rewriting, which is why we offer the Writer's Analysis. It offers the opportunity to see how well you've implimented the changes needed to improve your script, and gets your hourlong script into "Final Draft" shape to deliver to agents, studios and contests. That final polish can be the difference between rejection and a staffing job! Included in the first, Studio Review is:

• Act-By-Act Breakdown - 2 - 4 pages - Takes you through your story from beginning to end, analyzing the structure and development, focusing on the twists that take your script into each commercial break, that keep the audience surprised and interested, leading up to your climax, which should always have the feeling of being "surprising, yet inevitable."
• Tone/Genre Analysis - 1/2 - 1 page - A look at the genre of the show you are writing. Comparisons with other episodes and similar shows to keep the tone consistent throughout your story, and consistant with the style of the show.
• Spec Analysis - 1/2 page - There are a great many rules for spec scripts that may not apply to scripts written by staff writers for given shows. Is your idea a "special episode"? Do you introduce a brand new character? Is it a "holiday episode"? These and other no-no's are explored so you are sure to avoid common pitfalls that cause producers to toss scripts before reading beyond page 3!
• Summary - 1/2 - 1 page - Bulletpoint list of the weaknesses in your script and the steps for fixing them.
• Synopsis - 1/2 - 1 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Character Analysis - 1/2 - 1 page - Isolates your main characters and looks at their development from start of your story to the finish. Helps you to focus your character's motivations, desires, and obstacles to work in unison with the story you are trying to tell.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.

Included in the second, Story Analysis is:

• Beat Analysis - 1/2 - 1 page - Are the necessary beats for your hourlong in place, and do they come at the right moment? Are you obeying the rules for your particular show? A beat analysis will help you see where you might be taking leaps that seeim intuitive to you, but won't appear so to a reader.
• Dialogue Analysis - 1/2 - 2 pages - Comprehensive analysis of your use of dialogue, breaking down several exerpts from your script to show you where dialogue can be sharpened to increase its impact for the audience.
• Synopsis - 1/2 page - You say you know what your story is, so why read a summary? Reading another's summary of your story can give you great insight into whether you've gotten what you want to say down on the page.
• General Impressions - 1/2 - 1 page - An overview of the structural elements of your script.
• Story And Structure Analysis- 1 - 2 pages - An in-depth analysis of your story progression, isolating holes in your plot, and breaking down your storytelling technique.
• Taped Comparison - 1 - 2 pages - How does your sitcom stack up against filmed episodes of that show (or similar shows, if yours is a pilot). Learn how to incorprate conventions used by other shows into your own work to give it a more genuine feel.
• Gramatical Analysis - 1/2 - 1 page - An easy to understand chart of gramatical errors and the changes that you need to make to correct them.